SMPL Q+A: Weaving a new thread for LA museum Craft Contemporary

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In SMPL Q+A, we interview Siegel+Gale practitioners on all things relevant to branding, design and simplicity. Here, we speak with Gabriele Zamora, senior strategist in naming and designer Ariel Duong about our engagement with Craft Contemporary, formerly known as the Craft & Folk Art Museum.

Why did the Craft & Folk Art Museum (CAFAM) need a new name?

GZ: The name Craft & Folk Art Museum was setting the wrong expectations. Together, the words “Craft” and “Folk” sounded ordinary and traditional, rather than rich and relevant. The name did little to pique the interest of visitors looking for a more contemporary museum experience. And it failed to highlight what makes the museum so unique: it functions as a platform for a diverse community of makers and as a space to both view and create art. The museum needed a more engaging introduction, one that appealed to a broader audience and worked to elevate craft in the contemporary art dialogue.

 

 

Tell us about the process behind developing the new name?

GZ: The challenge was to honor the history and brilliance of craft, but convey its power in a fresh way. We learned craft is all about the “how.” Material and method are more precious than the end art object. The final name needed to dial-up the idea of making and breathe new life into a time-honored practice. Our global naming team developed hundreds of names, everything from very subtle shifts to more inventive solutions with intriguing edge. We explored a broad range of themes, styles, and tones, ensuring that each name served as an authentic articulation of the museum today and could grow with the museum over time.

How does the new name help activate the meaningful rebrand of the museum?

GZ: The larger brand refresh focuses on revealing the potential of craft. Craft Contemporary supports this strategic vision by assigning new weight and influence to craft. It turns the word “craft” into a verb, specifically the action of shaping and defining the future. It reads as an open invitation to all audiences—artists, viewers, community members, donors—to collectively engage in the process of making. Craft Contemporary has an alliterative elegance to it; the name feels especially significant and sophisticated in tone, which stylistically lifts and strengthens craft. Omitting “Museum” was intentional. The name belongs to a versatile space that is constantly changing and evolving. It is so much more than just a museum.

What was the concept behind the visual identity?

AD: From the beginning, this museum was not to shy away from championing new artists or even avant-garde, provocative work. With this in mind, we created a monogram that communicates three things:

1.Bold geometric shapes coming together, to represent community

2.Outward facing triangles, speaking to the dissemination of arts and culture

3.A forward-facing triangle within the negative space, to visualize the pushing of boundaries

What made this assignment unique?

AD: Working with a local museum in my hometown was an exciting endeavor. I feel privileged to have made a mark on the Los Angeles arts community.

Gabriele Zamora is a senior strategist in naming and Ariel Duong is a designer at Siegel+Gale. 

 

 

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