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Mar 11th, 2010 by Howard Belk

Hummer meets the terminator


In a year that has seen General Motors shedding brands like hubcaps flying off clunkers, the disappearance of Hummer comes as no surprise. After the backfire of the Saab acquisition (see my piece “A Saab Story” on Portfolio.com Dec 23, 2009) and having driven proprietary brands such as Oldsmobile and Pontiac into the proverbial ditch, this latest wreck only dramatizes GM’s failure to create brand narratives that appeal to an emerging global zeitgeist.

In the latter half of the 20th century, GM’s branding prowess persuaded consumers that the cars they bought truly defined them as individuals. If one had the means to get behind the wheel of a Corvette, Cadillac or Saturn, aspirations, achievements and values could be broadcast to the world at large. Now— with the emergence of a global sensibility that includes broad-based rejection of perceived U.S. arrogance, disappointment and weariness with Gulf War II, alarm at environmental degradation, and universal concern with energy conservation—that marketing success has come back to haunt GM’s Hummer. The vehicle became a farcical narrative celebrating American arrogance, excess and military adventurism—values that few aspire to in this century.



The brand managers of Hummer should have seen the danger signs. As early as 2002, it was clear that a second Gulf war would break out, energy prices would skyrocket, and gas guzzlers would become obsolete. Decades-long global support for protecting the planet was growing. Early adopters’ embrace of hybrid vehicles was a flashing beacon of an emerging consumer sensibility. While the scale of the global financial crisis was not foreseen by anyone, a vast real estate and consumer credit bust was predicted well in advance of the crash of Bear Stearns.

Missing this broad-based values shift has proven costly for GM. In this new era, brand constituents expect global brands to be driven by a Purpose that transcends commerce and advances humanity. Epitomized by early adopter Arnold Schwarzenegger, the Hummer was a badge brand that signified conspicuous selfishness, a sense of entitlement and a boastful willingness to pay up for gas and two parking spaces. Rather than for people who aspired to something noble, meaningful and larger than themselves, it was for the bullies of the boulevard. In the end, the Hummer was a fad brand not sturdy enough to survive the economic and social terrain of 2010.

The next challenge for GM is to ensure that their four surviving brands each have a clear, credible and relevant Purpose. Following that, they would be well-advised to examine the GM brand itself. Historically, this brand has been more closely followed by the investment and labor communities than by consumers. Going forward, after its bailout by American taxpayers and as nationalism becomes more important in the auto space, expectations for GM will be high. To even contend for the checkered flag in 2020, GM must articulate a clear Brand Purpose that will foster a culture of excellence and appeal to new consumer values. GM defined modern management excellence in the early 20th century. Does it have the grit, the smarts, the organization and a purpose-driven value proposition to do it again in the 21st century? Given the recent track record with their portfolio brands (see “Cadillac Distances From GM to Avoid Bankruptcy Stigma”; BusinessWeek March 9, 2010), I am left wondering what car brand will be next to crash.

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Dec 23rd, 2009 by Howard Belk

A Saab Story

Originally presented on Portfolio.com
Howard Belk, a marketing executive and Saab aficionado, laments the passing of the quirky Swedish car brand—or, as he calls it, the first “Smart Car.”

Entrusting the Saab brand to General Motors has been a disaster. Instead of protecting the proprietary features that define Saab, GM has shared brand differentiators with competitive GM brands and even now intends to sell Saab technologies to Beijing Automotive Industry Holdings Co. Ltd.

Not only has GM made no apparent effort to understand the essence of Saab and what revs the Saab buyer, they have also imposed the endless GM design vetting process (a.k.a. an innovation-killing time machine) on Saab’s idiosyncratic aesthetic. The results have been disastrous.

This is especially sad to the small and, yes, quirky segment of drivers who mourn the killing of Saab. These are not the “car guys” who have welcomed the resurrection of the Mustang and Charger. And they’re not the drivers of generic Toyotas and Hondas.

For many years, Saab held the unique position of the quirky car for intelligent drivers (or, better said, the intelligent car for quirky drivers). Like the Karmann Ghia or Citroen, Saab has never yearned to be the status symbol that a BMW or Mercedes is. One of a kind, created by the Swedish air-force design team, it was for owners that were involved with their cars at a level deeper than the mere cosmetic. It conferred a status more cerebral than temporal.

My colleague Ben’s dad was an early serial-Saab aficionado. He bought three in the ’60s alone, each more refined than the last, but all quintessential Saabs. He is one of the stalwarts who, in return for the Saab experience, measured and poured their own mixture of oil and gas into three-cylinder, two-stroke, smoky engines that rumbled like gravel in a metal bucket. He raced his first Saab 93 on the frozen lakes of New Hampshire and profited from its rare front-wheel drivetrain. In later years he graduated to a ‘95 wagon (with a more civil four-stroke engine) and later the Sonnet sports car. As Saab brand values were compromised over the past 15 years, he’s reluctantly abandoned the brand.

Born in Scandinavia, it is no wonder that the further north one ventures, the more Saabs one sees on the road. More than 20 years ago I cruised over countless Vermont back roads in my own first car, a silver-blue 1986 Saab 900 Turbo and felt part of a small community of mountain-loving individualists. The car accelerated deliberately from a standing start, but as it hit third gear the turbo charger engaged, slamming me back in the cockpit. Tight in the steering, it swooped through mountain curves and never faltered in the Vermont snow.

The aviation engineers at Saab had a very different way of thinking about cars. Their early designs were an antidote for the bourgeois design sensibility propagated by the Detroit marketing machine. And the latest concept cars, stalled in Swedish design studios, show a contemporary evolution of that singular aesthetic.

This is totally unscientific, but I think Saab was the brand of choice for more designers, writers, artists, and nonconformists than any other automobile. It seems every architect I know had a Saab at some time or other. On the road we were members of a cult and flashed our highs and winked as we purred by each other. Designers everywhere will surely lament the demise of this iconic creation.

Saab was the first “Smart Car.” For many years Saabs were marketed as “The Most Intelligent Car Ever Built.” And the aircraft designers did think different. Beginning with their mental model of drivers as pilots, they dubbed Saab interiors as cockpits. They incorporated dramatic aerodynamic principles into form factors. Considering Swedish environmental conditions, they engineered the first mass-produced, front-wheel drive. Lovers of g-force, they introduced the first mass-produced turbo-charged engine. Wary of crashes, they were a passenger-safety leader. And accustomed to very little in the way of constraints on turns, dives, and rolls, they focused more on handling than acceleration.

But typical of engineers, Saab never exhibited a genius for telling their own story—or even recognizing the plot. Saab historically eschewed crass commercialism and never claimed to be a badge brand. But they haven’t done the “indie thing” as well as Subaru. They seemed to draft in the safety promise of Volvo but never claimed it for themselves. They couldn’t connect the dots between the jet-engine expertise and a superior passenger-car experience. They missed the boat on leveraging their one-of-a-kind styling, their Swedish provenance, their odd name (that conjures tears now more than ever) and all the other singular parts of the brand and experience.

Legend has it that more than 50 percent of prospective buyers who test-drove a Saab bought one. But today they can’t win over a critical mass of buyers. According to published results, only 371 Saabs were sold in the United States in November. Compare that with 18,500 Lexus vehicles sold in the same month and the severities of the consumer disconnect comes into sharp relief. Obviously, Saab no longer attracts buyers to the showroom. It appears the Volkswagen Beetle, the Smart Car, or the Cooper Mini fills the market for a low-volume, quirky brand.

As I type, the Swedish government is scrambling squadrons of financial engineers to rescue this brand. To be successful, the new owners of Saab must answer mission-critical questions. “What exactly would the world lose if Saab goes away tomorrow? We know what Saab does, but why does it do it?”

If the rebirth of the MG, Mini, and Lotus demonstrate anything, it’s that this brand can reemerge as relevant and credible with the right brand strategy. But if it is ever to rise above today’s wreckage, it must define a brand purpose. This brand needs to reconnect with its Swedish heritage. It must stand for intelligent design. It must embrace environmental values, use recyclable materials, introduce hybrid models, and adopt sustainable practices. Become a green Saab. Get smart again.

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Nov 6th, 2009 by Howard Belk

Mickey Mouse Channels Dennis the Menace … and Chucky

Seems Disney is considering a Dennis the Menace meets Chucky refresh of Mickey Mouse. (See “After Mickey’s Makeover, Less Mr. Nice Guy,” the New York Times, November 5, 2009.) It seems risky, but millions of us contributed to DC Comics’ success when they let us see the dark side of Batman. A conflicted, sometimes tortured Batman rejuvenated the franchise and dramatically broadened the superhero’s audience. Sophisticated kids today are not engaged by characters who verge on the dogmatic or overly simplistic. Too nice, or too mean, is uninteresting. Even the hero of THE INCREDIBLES had flaws. Kids saw that and laughed.

Disney has a relevancy issue with their spokesmouse because they for so long used Mickey as a symbol of the company, not a character involved in situations that have any relevance to youth. Mickey has sold out, gone corporate, and lost all texture.

It’s vital that Mickey gets another dimension added to his personality. It will confirm for kids that you can be one way, AND another, rather than this simplistic, all or nothing type of creature. That’s simply too much to live up to.

A darker Mickey with a heightened survival mode, delivered in a gaming environment should connect with youngsters if only because kids will be excited to see how they can help Mickey “survive” in this new world. Chronicles of mischievous schemes, tight spots, and narrow escapes should give an old character a new chance to connect with the timeless scamp that resides in every kid. And because today video games are one of the main channels through which kids connect with characters, this makes sense.

In the end however, it will come down to the sense of morality and hopefulness that Mickey has always stood for. If breaking the rules means creativity, ingenuity, smarts and empathy, then bring it on, badass mouse! If our new Mickey is cunning, callous, wasteful, and lewd, then Disney has set its own mousetrap.

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Oct 12th, 2009 by Howard Belk

Radio interview with Howard Belk, Co-President & Chief Creative Officer, on “Dubai Eye” – October 6, 2009

Listen in as Howard Belk joins “Dubai Eye” to discuss how Siegel+Gale works to address “jargon and gobbledygook” in organizations and government. The interview touches on President Obama’s communications regarding the current health care reform, what simplification really is and what it does, as well as a sampling of the work Siegel+Gale is currently working on for the IRS.

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Oct 19th, 2008 by Howard Belk

A Brand New World, USP Age, India

One of the world’s most aggressive growth economies, Indian corporations are navigating a whole new frontier: How do they build their brands to successfully extend their reach, capture market share and compete head on with the world’s most well-known companies. Co-President and Chief Creative Officer, Howard Belk on India’s Brand New World.

"As Indian companies begin to make their global foray, there are lessons to be learnt on re-branding their existing brands to suit the new conditions.

India’s family controlled conglomerates are facing a brand conundrum: How can they transform brands that are weighted with history and meaning in one market and re-launch them onto the global stage? Given the rapid pace of growth, diversification, acquisition, and investment – and the decision by many companies to go public – Indian businesses are in the midst of a critical decision point about their brands. A customer base that is ever more diverse globally and sophisticated domestically has challenged companies to rethink brand strategy and how it is communicated both, at home and around the world."

download pdf

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Jul 1st, 2008 by Howard Belk

S+G’s Howard Belk on the importance of marketers being ’smart and prudent’ in a tough economy


S+G’s Howard Belk comments on the US economy and its impact on marketing and brand spend to the UK trade press at UTALKmarketing.com.

Read the full article…

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Sep 12th, 2007 by Howard Belk

Will This "Mediarite" Cause a Brand Extinction?

Belk on Brand Amplifire™ and Second-Generation Brand Asset Management

It’s not necessarily the strongest or the smartest that survive. It’s the most adaptable—and in the past five years, the marketing, selling, and brand-building world has undergone cataclysmic change. How marketers respond to this media meteorite will determine if they, like the primitive mammals of 67 million years ago, will emerge to rule.

Google™, the rise of social media, exponentially expanding networks, and vast numbers of people creating communications for the first time represent the 10km mediarite that parted the waters of the Gulf of Media. User-generated content leading to millions of downloads through myriad channels puts everyone, from boardroom to showroom to garage, on a close-to-equal footing in the attention-getting bazaar. Here’s the issue: In the corporate world, thousands of DIYers creating marketing communications and sales messages can fracture a brand or accelerate it.

Now, marketers need to harness the talents of everyone in the organization to make their brand relevant, responsive, consistent, competitive, and ubiquitous. This requires systems that put brand strategies, communications guidelines, assets, and tools in the hands of everyone who is creating communications.

(more…)

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Feb 5th, 2007 by Howard Belk

When it Comes to Logos, There’s Only One Idea

The 13 stripes of IBM, the flowing ribbon of Coke, Mack Trucks’ belligerent bulldog, the blue box of American Express, the golden arches of McDonald’s, my MTV, 3M and the ultimate e-commerce brand, Dell. These familiar, iconic symbols evoke emotions, including trust, prestige, independence, innovation, and control in the minds of tens of millions of customers around the world.

Trademarks that achieve this stature are priceless. This is particularly true in businesses where product advantages are subjective, susceptible to replication by fast followers, and difficult to protect by legal means such as patent or copyright. The customer preference derived from familiarity and trust provides real competitive advantage.

(more…)

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